Frog’s Breath

(Insect Repellent)

Cathy Keifer/Shutterstock

One of the consequences of making cosmetics and perfumes at home is that you start to acquire a collection of bottles.  You never throw out a bottle that might be useful, or decorative.  There is a reason for you to rummage through charity shops and flea markets.  You struggle to find storage space for an ever expanding selection of oil bottles, lab reagent bottles, coloured bottles, decorated bottles, poison bottles, perfume bottles, hand-blown bottles, and bottles with no discernible purpose.

My collection contained one quite plain bottle with a label proclaiming that the content was Frog’s Breath.

It occurred to me that Frog’s Breath would be a most appropriate name for an insect repellent.  For the grammar nerds, the reasoning includes subjunctive and conditional verbs:

If a fly were to feel the breath of a frog it would want to depart in haste.

I really dislike using DEET based insect repellents.  The smell is something I really dislike, and it makes me sneeze.  I can’t enjoy eating out of doors in the presence of the smell of DEET.  I’ve found Frog’s Breath is as effective as DEET, and I can tailor the smell of Frog’s Breath to be reasonably pleasant.  I’ve successfully used Frog’s Breath to deter mosquitos, ticks, and the sand flies that are too small to see but which cause misery by attacking feet and ankles.

Making Frog’s Breath

I don’t really have a specific recipe for my Frog’s Breath.  It has just two ingredients:

Isopropyl Alcohol (70% by volume with water)
A selection of essential oils.

Most airlines will allow you to carry small quantities of liquids containing up to 70% alcohol in cabin and hold luggage.  Higher concentrations have a lower flash point, meaning they catch fire more easily, and airlines may refuse to carry them.

I aim for the essential oil content to be about 5%, so 5 ml of essential oils to 95 ml of alcohol.  Approximately 100 drops of oil is 5 ml.

Choosing Essential Oils

The choice of essential oils can be almost arbitrary, but here are a few considerations:

The mixture will be sprayed directly onto skin.  If you are aware that your skin is sensitive to any oil, avoid adding it to your insect repellent.

I don’t know of any essential oil that attracts insects.  Most are effective repellents.

Phototoxicity

Some essential oils are phototoxic.  In very simple terms that means that they have the direct opposite effect to sunscreen – they decrease the amount of time you can safely spend in the sun when applied to your skin.  The effect is minimal at low concentrations.  I’ve used small quantities of some of the potentially phototoxic oils listed below, but I’d advise you to avoid them if you have very fair or sensitive skin:

Angelica root
Bergamot
Cassia
Cumin
Ginger
Lemon
Lime
Lovage
Mandarin
Orange
Verbena.

Making Frog’s Breath is an opportunity to use up the last few drops of oil in a bottle, or to turnover stocks of oils that may be starting to deteriorate.  Here’s a list of the oils used in one batch of Frog’s Breath:

Oils that are Head Notes in perfumery are less persistent.  Try to include Heart Notes and Base Notes so that your insect repellent is effective for longer and you don’t need to re-apply it so frequently.

Patchouli is an effective insect repellent, a Base Note, and manages to harmonise the most unlikely mixtures of essential oils into something that smells better than an unplanned hodge-podge.  It’s also one of the less expensive essential oils.  I aim to include 30% to 50% patchouli in the oils in my Frog’s Breath.

I have a small bottle of isopropyl alcohol that I use to rinse droppers and pipettes that I’ve used for essential oils.  When the alcohol starts to get a bit murky and droplets of oil collect on the surface, I replace the alcohol in the bottle and keep the used alcohol for making insect repellent.

It’s very likely that some of the oils will settle on the surface of the alcohol, especially if you include heavier Base Notes like patchouli.  This isn’t a problem because you can disperse the oils through the alcohol by shaking the bottle before use.

Using Frog’s Breath

I decant my insect repellent into 50 ml bottles for use.  I put a screw top on the bottles for travelling, and carry a spray top to use when I get to my destination.

To use Frog’s Breath, first shake the bottle to disperse the oils in the alcohol.  Avoid getting it in your eyes while spraying it onto your skin or in your hair.  It should be okay to spray it onto clothing, particularly natural fibres.  Some technical fabrics may show traces of oils, so probably best to avoid spraying them unless you can test where an oil stain won’t show.

 

Insanitizer #51

As insanity spreads even faster than SARS-Cov-2 (the coronavirus responsible for the disease COVID-19), it might be fun (and maybe even useful) to unpick one of the hoarders’ favourite targets:

Hand Sanitizer

Hand sanitizer is going to be absolutely essential to our survival, right?

Well, no.  It isn’t.

When it comes to killing a virus, hand sanitizer comes second to vigorous washing with soap and water.  Sanitizers are a useful complement to soap and water when constant handwashing is impractical and the risk of infection is high (such as in a hospital).  Sanitizers are not a substitute for soap and water.  However much you may dislike soap and water, hoarding or even using hand sanitizer won’t protect you or those with whom you come into contact. Wash your hands.

But hand sanitizer is effective, right?

That rather depends.

I tried to find standards and regulations that would apply to a product labelled “Hand Sanitizer” and sold as such.  I didn’t find regulation that requires Hand Sanitizer to have any effect whatsoever on any virus, bacterium or other germ.  I can piss in a bottle and sell it as Hand Sanitizer (if you want to try this you might want to consult a lawyer in case I’ve missed something).  But as far as I can see, provided my snake oil contains no known allergens, I am free to sell it and I don’t have to list the ingredients.  Ironically, if I added enough alcohol to my mixture to turn it into an effective sanitizer, then I would have to label the bottle to the effect that the contents were flammable.

If you are having difficulty believing that this product of the moment is so little regulated, I suggest you check out some of the hand sanitizers offered on Amazon (for example).  See how many even list their ingredients.

Of course some hand sanitizers are effective.  Healthcare professionals will select products that work, and some specify their own formulations.  Even home-made sanitizers can be effective.  (The ingredients for one of my versions are listed at the end of this piece.)

If it is affordable and available without prescription,  an effective sanitizer will contain alcohol.  (So all the “no alcohol” or “0% alcohol” sanitizers meet their claim that they won’t dry out your skin, but they won’t have much impact on a coronavirus.  They might give some protection against secondary infections.)

The World Health Organization has published recipes for liquid handrubs.   In both recipes the main ingredient (75% or more) is alcohol.  This may be ethanol or isopropanol (which I discussed in A is for Alcohol).  Only two other ingredients are used.  Hydrogen peroxide is used as an antimicrobial agent, and a small quantity of glycerol is added as a wetting agent.

There appears to be a consensus that an effective hand sanitizer should contain a minimum of 60% alcohol and a maximum of around 95%.  There should be some water in the formulation.  The water helps the alcohol to penetrate the outer layer of a virus.  Once the outer layer has been penetrated, the alcohol disrupts and destroys what is left.  One study tested the efficacy of a number of hand sanitizer formulations with alcohol ranging from 60% to 95%.  It identified two formulations containing 70% as the most effective amongst those tested (so increasing the alcohol content above 70% doesn’t guarantee a more effective sanitizer).

Home-made hand sanitizers can be effective if they contain a high enough concentration of alcohol.  Most forms of liquor don’t contain enough alcohol.  Spirits at 80º proof only contain 40% ethanol, far short of the minimum 60% required.  Isopropyl (rubbing) alcohol attracts less tax in most countries, so it’s cheaper.  As I write all the useful sized bottles are disappearing from Amazon listings, but there are other suppliers, including on eBay, who still offer to supply.

One of the 2 widely available offerings of isopropyl alcohol contains 70% alcohol (with the balance being water).  This is an effective sanitizer in its own right, but it has 2 drawbacks:

    1. It evaporates rapidly, so it can be difficult to spread it to all parts of your hands before it has disappeared.
    2. It dries out skin, so it’s not very pleasant to use repeatedly.

Both these can be addressed, but that means adding ingredients and this will reduce the proportion of alcohol in the mixture.   There’s a useful calculator published on Lab Muffin’s blog that shows how much alcohol you need in your mixture to achieve a particular proportion of alcohol overall.

Home-made hand sanitizer

This version has a concentration of 62% isopropyl alcohol.

I include glycerine (glycerol) in my sanitizer as a wetting agent.  I also include aloe vera.  Both ingredients help spread the liquid over your hands and slow down evaporation.  They also help prevent skin drying out, so they make the sanitizer more pleasant to use than just alcohol and water.

The World Health Organization includes hydrogen peroxide.  I don’t include it in this recipe because I believe its purpose is deal with possible contaminants in water used to dilute the alcohol.  I have the luxury of access to distilled water and uncontaminated ingredients.

The final ingredient I add is peppermint essential oil.  It goes some way to masking the smell of raw alcohol and contributes to making the sanitizer a little more pleasant in use.

So here’s the recipe for Insanitizer #51:

    • 100 ml isopropyl alcohol 70%
    • 8 ml aloe vera gel
    • 4 ml vegetable glycerine
    • 0.5 ml (or 20 drops) peppermint (piperata) essential oil.

Put the ingredients in a bottle and shake to disperse the aloe gel and the essential oil.  Let it stand for a while, and then shake it up again.

The mixture is flammable, toxic if ingested, and you should avoid getting it in your eyes.

Be well.  Be safe.

 

Ostara Handcreme #14

“In Spring the young man’s fancy turns to what women have been thinking about all Winter.”
with apologies to Alfred, Lord Tennyson

We see the first glimpses of Spring at the start of February (in my part of the United Kingdom).  By the time the Spring (Or Vernal) Equinox arrives , Spring has definitely sprung.  This year, the Spring Equinox will fall in the early hours of Friday 20 March.  The days lengthen more rapidly at the Spring Equinox than at any other time of the year.  From the Spring Equinox until the Autumn Equinox we will have more hours of daylight than darkness.

This is ostensibly a post about a hand cream for the Spring Equinox.  The hand cream recipe is the same as the recipe for #14 Handcream and the blend of oils used to fragrance this version is Ostara.   So having fulfilled the promise of this post’s title, let’s follow the Easter Bunny down her rabbit-hole and decorate some eggs.

Down the rabbit hole

The last time I decorated eggs by dying them with onion skins was in Edinburgh in 1980.  I thought I’d better test out what I remembered of the process before posting anything about it, so last weekend I bought half a dozen eggs with light coloured shells, and gathered together some onion skins, some newspaper, some string, and some flower petals.  My collection of flowers included crocus, forsythia, primrose, periwinkle, hornbeam and celandine.

The idea is to stick the petals to the surface of an egg, then wrap the decorated egg with onion skin.

The onion skin-wrapped egg is then wrapped in newspaper to hold the petals and the onion skin in place, and tied into a bundle with string.  The bundles are put in a pan, brought to the boil, and boiled for just a little longer than it would normally take for hard-boiled eggs (maybe 5 minutes).  It can be helpful to weight down the bundles so they don’t float in the pan.

And that’s it.  When the wrapped eggs have cooled down enough to handle, you can unwrap the dyed eggs.  The overall effect is marbled, with the onion skin dye masked where the flower petals have been.

It’s still a little too early for me to find flowers in the garden that will colour the eggs rather than just mask the onion skin dye.  Colours rarely come true with this type of dyeing, but I do remember some of the coloured primulas add shades of red and pink to the overall effect.

Forty years ago:

I managed to find the photos I took the first time I dyed eggs in this way.  Here they are, from prints on Kadachrome paper and collected in an album:

 

Imbolc Handcreme #14

Snowdrops
Snowdrops

This is my goto recipe for a handcreme (“Handcreme #14”).  I produce it with different blends of essential oils to reflect the seasons.  This version celebrates the land waking up at the end of Winter.  I’ve called it Imbolc.

Imbolc falls around the 1st of February in the Northern Hemisphere.  It celebrates the first stirrings of Spring as the days become perceptably longer.

Although I normally describe this as a handcreme, its use isn’t limited to hands.  It’s a classic cold cream that is suitable for hands, face or any other skin that may be prone to dryness.   Rosemary Gladstar gives the proportions of ingredients in a cold cream in her book Herbal Healing for Women.  She called her version her Famous Face Cream:

“The basic proportions of this cream recipe should be about one part group 1 (oil phase) to one part group 2 (water phase).

“In group 1, the oil proportions should be approximately 2 parts liquid oils (such as grapeseed, almond, apricot) to 1 part solid oil (cocoa butter, beeswax, lanolin).”

My Heavy Duty Handcreme #21 is another example of a cold cream.

The ingredients, equipment and method I use to make Handcreme #14 are:

Oil Phase
  • 150ml  Sweet Almond Oil
  • 75ml  Coconut Oil
  • 30g  Beeswax
  • 20g  Shea Butter
  • 7.5ml  Lanolin
Water Phase
  • 150ml  Distilled Witch Hazel
  • 75ml  Aloe Vera Gel
Cool Down
  • 7.5m  Vitamin E oil
  • 20-30 drops of essential oils (see later in this post for the Imbolc blend).
Equipment
  • Two heaproof glass containers, one with a capacity of al least 500ml and the second with a capacity of at least 250ml.  (I use Pyrex jugs.  Mason Jars are also suitable.)
  • An electric oven capable of being set to a temperature of 60-70C, or a shallow pan wide enough to accept the glass containers and a kitchen stove electric hob or gas ring
  • A hand blender or whisk
  • Clean jars for the handcreme
  • Spatula(s)
  • Cloths or paper towels for cleanup.
Method
  1. Measure out your oil phase ingredients into the largest of your two glass containers, and measure out the water phase ingredients into the other glass container.  Put a stirrer into the container with the oils – a spatula or spoon.
  2. Heat the ingredients until all the solid oils and waxes melt.  Either;
    • Put the containers into an electric oven set to about 70C, or;
    • Put the containers in a shallow pan and surround them with water.  Bring the water to the boil on a stove top and reduce the heat so the water simmers gently.
  3. Prepare your containers.
  4. When the solid oils and waxes have melted, take the containers out of the oven or off the stove.  Stir the oils (remembering that the stirrer will be quite hot).
  5. Put your blender or whisk into a pot of hot water to preheat it.
  6. When you start to see the oils solidifying, put your blender or whisk in the container with them.  Whisk or blend as you add the water phase ingredients, keeping use of the whisk or blender to a minimum.
  7. Briefly whisk or blend as the mixture cools.  When it gets to around 40C (when the container will still be warm to touch but not too hot to hold comfortably) add the cool-down ingredients and whisk or blend briefly for the final time.
  8. Pour and scrape your cream into your containers.
  9. Label the containers and keep them in a refrigerator until you want to use your handcreme.
  10. Clean up with hot, soapy water.
Handcreme in containers, labelled and with information slips
Imbolc Handcreme #14

I’ve used Handcreme #14 as the basis of a number of seasonal cosmetics.  In December I added my Yule blend of oils.

For the Imbolc version I started with an Imbolc blend proposed by Amy Blackthorn.  (The blend is published in Amy’s book Blackthorn’s Botanical Magic.)  Amy’s blend has  a base/heart note of Angelica Root, with  heart notes of Basil and head notes of Laurel.  I modified Amy’s blend by adding Tobacco Absolute, Violet Leaf Absolute and a goodly dose of Fir Needle.  I aimed to develop a fragrance with green notes throughout.  I’m quite happy with the results – I developed this blend in 2019 and re-used it this year without modification.

Head notes
  • 16 drops Fir Needle Essential Oil
  • 8 drops Laurel Essential Oil
Heart notes
  • 8 drops Violet Leaf Absolute
  • 8 drops Basil Essential Oil
Bass notes
  • 8 drops Angelica Root Essential Oil
  • 4 drops Tobacco Absolute

To end on a cautionary note – neat essential oils can be highly corrosive.  With very few exceptions they should never be applied to skin unless diluted.  I first made this blend last year in a laboratory grade plastic test tube,  intending to add it to handcreme a few days later.  When I came to use it, the interior of the tube was etched and the base was crazed and cracked.  I mixed up some more in a glass container for my batch of handcreme!

Plastic test tube etched and cracked by essential oils
Cautionary tale of effects of essential oils on plastic

Pumpable Body Lotion #46

This recipe was published as Summer Passions Pumpable Body Lotion by Barb Misiuda on her site Scrub Me Down.  I made it on New Year’s Day (in England) so it wasn’t exactly Summer.  I followed the recipe without making substitutions.  I don’t use artificial fragrances, so I used a combination of Rose and Clove Bud essential oils to produce a scent reminiscent of carnations.

The list of ingredients for this lotion is longer than that used in most of my concoctions.  It introduced me to a couple of ingredients that I hadn’t used before.

Oil Phase
  • 12 g Avocado Oil
  • 12 g Emulsifying Wax (Olive Derived)
  • 9 g   Mango Butter
  • 6 g   Sweet Almond Oil
  • 6 g   Passion Fruit Oil
  • 3 g   Beeswax
Water Phase
  • 207 ml Distilled Water
  • 30 g Aloe Vera Gel
  • 3 g Vegetable Glycerine
  • 3 g Silk Peptides
Cool Down
  • 3 g Vitamin E Oil
  • 6 g Panthenol
  • 1.5 g Plantaserve E
  • 12 drops Rose absolute (Turkish)
  • 4 drops Clove Bud Essential Oil
  • 0.1g Gold Mica
Equipment

To make this you will need:

  • 2 glass containers large enough to hold all the ingredients with a bit of room to spare.  I use half litre Pyrex jugs, but wide-mouthed jars such as Mason Jars also work well.  At least one of the containers needs to be large enough for all the ingredients and a stick blender.
  • 1 smaller glass container.  A shot glass works well for this.
  • A stick blender
  • Small spatulas (wooden coffee stirrers scrounged from coffee shops work well)
  • 1 or more pump bottles with a total capacity of slightly more than 250ml
  • A funnel
  • A kitchen hob and a shallow pan, or an oven capable of being set to a temperature of 70-80C.
Method

Measure out the oil phase ingredients into one glass container, and the water phase ingredients into another.  If you aren’t in a hurry, cover the containers and let them stand for a while.  This allows the waxes to start to soften in the oils, and allows the silk peptides and aloe gel to start to disperse in the water.

If you have access to an electric oven, set the temperature to 70-80C and put the 2 containers of ingredients in the oven.

If you are going to make this on a gas or electric ring, put the containers in the shallow pan, add some water (perhaps to a depth of 3-5 cm) and bring the water to the boil.  Turn down the heat when the water boils so the water is just simmering.

Put the cool-down ingredients in another (ideally smaller) container –

  • Panthenol is a very viscous gel that I found difficult to weigh accurately or to scrape off a spatula.  Another time I may add some to water to make a less viscous solution, keeping any excess in the fridge until the next time I need some.
  • I didn’t weigh the mica.  I would consider it an optional ingredient anyway.  I added enough to cover about 6mm of the type of stick that coffee shops provide for stirring coffee.  I might double the amount next time, but too much glitter would be, well, too much.

Emulsifying wax doesn’t seem to melt into the other oil phase ingredients.  When the other oil phase ingredients are all liquid, take the oil phase and the water phase containers to your work surface and turn off the heat.  As there’s more of the water phase ingredients to heat up, they may not be as warm as the oil phase.  That’s not a problem.

It’s a good idea to put your stick blender into a separate pot and leave it to stand in hot water to warm it up a bit.

If you have a thermometer, watch the oil phase until the temperature drops to about 42C.  If you aren’t using a thermometer you can judge the temperature by feeling the outside of the container with your hand.  When it still feels warm but you can hold it comfortably, it’s time to start mixing.

I add the water phase to the oil phase, but it’s not critical which you add to which.  I just find pouring the water phase avoids oils and waxes solidifying on the rim of a container as you pour them.  Barely touch the control button on your stick blender as you mix the 2 phases – it’s important not to over-blend this lotion.  Only blitz the mixture until it’s just mixed.

Add the cool-down phase ingredients and blitz again, very briefly.

Decant the mixture into your pump bottles.  Briefly shake them as the lotion cools completely and thickens.

I keep all my cosmetics in a fridge until they are to be used.

Reflections

I’ve wanted to make a pumpable lotion for maybe a year.  Some attempts at formulating my own recipes produced rather nice and usable lotions, but they were too thick to be used in a pump bottle.  This recipe proved highly successful, and the lotion it produced is disappearing fast in this and other households.  in short – it’s a winner.

I’m sure I won’t resist the temptation to tinker with the recipe over the coming months, but the changes won’t be substantial.  I may subsitutute oil for oil, butter for butter, and maybe hydrosol for distilled water.

Rose Tinted Lip Balm #135

This lip balm is coloured, but not with the intensity of a lip gloss or lipstick.

The colour is obtained from alkanet.  You may have encountered alkanet before.  It’s what gives the distinctive red colour to a Rhogan Josh curry.  You can buy alkanet at Asian food stores or online.  The alkanet is used to colour an oil that is used in the recipe.  I use light olive oil, but any light cooking oil will work.  Gently fry a couple of tablespoons full of alkanet in about 100 ml of oil until the oil takes on the red colour.  Let it cool and strain it into a clean glass jar or bottle.  Keep it somewhere dark and cool (ideally in a refridgerator) until you want to use it.

I’ve used Castor Oil in this recipe.  It’s a very good lip conditioner, and is slightly glossy.

To complement the rose colour, I’ve added a hint of mica (glitter) powder.  Any more than just a hint might be too much.

This recipe makes about 75g of lip balm, which is a little more than 12 tubes of 5.5 g each.

Ingredients
  • 30 ml Castor Oil
  • 15 g Unrefined Cocoa Butter
  • 15 g Beeswax
  • 15 ml Olive Oil coloured with Alkanet
Additions
  • 1 ml Vitamin E Oil
  • 0.2 g Purple mica powder
  • 4 drops Rose Essential Oil
Method

Measure all the ingredients (except the additions) into the glass jug. Put the stirrer into the jug with the ingredients, and then put the jug into an oven at 70-75C, or heat it in a bain marie.

While the ingredients are warming up and melting, prepare your tubes or tins.

When the ingredients are all liquid, remove them from the oven. Add the Vitamin E Oil, mica and the Essential Oil. Stir. Pour into the tubes or tins.

Keep your lip balm in the fridge until you are ready to use it.

Product Information

I don’t sell my cosmetics, so I am not obliged to provide detailed product information.  However, I do provide a double-sided slip of paper that describes the product and its ingredients:

… and on the reverse:

Chocolate Orange Lip Balm #133

Lip balms are among the easiest cosmetics to make.  At their most simple it’s just a matter of weighing out the ingredients, warming them up until everything has melted, stir and pour.

This recipe is a favourite, with the classic combination of chocolate and orange that is reminiscent of Christmas treats.

Don’t be tempted to increase the quantity of Orange Essential Oil in this recipe because at higher concentrations it becomes phototoxic.  I’ll discuss phototoxicity in a later post.

It makes about 110g of lip balm, which is about 18 tubes each containing 5.5g.  There’s a neat way of filling tubes that I discuss at the end of this post.  Alternatively, you can pour it into small tins.

In addition to the tubes or tins, you will need one glass jug and something to stir the mixture.

Ingredients
  • 60 ml Apricot Kernal Oil
  • 20 g Unrefined Cocoa Butter
  • 20 g Beeswax
  • 8 g Darkest Chocolate (I used Willy’s 100% Cocoa Solids Chocolate)
Additions
  • 1.5 ml Vitamin E Oil
  • 15 drops Bitter Orange Essential Oil
Method

Measure all the ingredients (except the additions) into the glass jug.  Put the stirrer into the jug with the ingredients, and then put the jug into an oven at 70-75C.  Now you can heat up your jug of ingredients in a bain marie if you don’t have access to an oven that can be set at relatively low temperatures, but there is a surprise advantage to using an oven.  The oven heats the jug evenly and the contents pour easily.  If you heat the mixture in a bain marie, the top of the jug doesn’t get very warm and the mixture solidifies on the jug as you pour.

While the ingredients are warming up and melting in the oven, prepare your tubes or tins.

When the ingredients are all liquid, remove them from the oven.  Add the Vitamin E Oil and the Essential Oil.  Stir.  Pour into the tubes or tins.

Keep your lip balm in the fridge until you are ready to use it.

Clean up with very hot water and washing-up liquid.

Lip Balm Tubes

I’m definitely not in favour of single-use plastics, but nor am I blind to the ease with which plastics can be kept hygienically clean.  Lip balm tubes can be washed out with very hot soapy water and re-used if you can persuade their recipients to return them to you.

I do use lip balm tubes.  I’d like to think most people would return them.  The choice, of course, is yours.

If you do chose to put your lip balms into tubes, there is a very convenient way of filling them.  The version I use is branded Kare & Kind and is available on Amazon or Ebay.  (There are cheaper suppliers of the empty tubes if you shop around.)

The filling tray will take up to 50 tubes.  As I normally make smaller quantities, I have filled a few tubes with cold-cast resin to use as blanking plugs.

 

Heavy Duty Handcreme #21

This recipe was inspired by the Body Shop Hemp Hand Protector Cream. It’s great for people who have very dry skin, eczma or psoriasis. You don’t have to restrict its use to your hands.  As with all cosmetics,  you should carry out a patch test if you have any concerns about adverse reactions.

I used too much hemp oil in my first version. Although it worked well as a moisturiser, the smell of hemp and the green colour were too intense. (Think Incredible Hulk.) In this version I cut the hemp oil with moisturising grapeseed oil. Woody, resinous essential oils work with the smell of the hemp oil instead of trying to mask it.

This recipe makes about 350 g of handcreme. In addition to the ingredients, you will need:

  • A stick blender. (You can use a whisk at a pinch.)
  • A set of metric scales capable of weighing to the nearest gram.
  • A container that you can use to put the stick blender in hot water to pre-heat it.
  • 2 containers in which to heat and mix the ingredients. One container must be large enough to hold the full quantity; the other only has to hold the water phase ingredients. Although the container you will use for mixing has to be large enough to hold all the ingredients, the ingredients must fill it to a depth that will cover the blades of your stick blender. (I use two 500 ml Pyrex jugs. I know people who use Mason Jars successfully.)
  •  A pan large enough to hold your 2 containers (or 2 pans, one for each).
  • Something you can use to stir the ingredients as you heat them up. A small plastic spatula that can cope with boiling water is ideal because you can use it to scrape out very last trace of your handcreme into jars.
  • Glass jars or plastic pots to store your handcreme.

Ingredients:
Oil Phase:
  • 20 ml Hemp Seed Oil
  • 80 ml Grapeseed Oil
  • 10 g Beeswax
  • 50 g Shea Butter
  • 10 g Lanolin
Water Phase:
  • 80 ml Distilled Witch Hazel
  • 50 ml Aloe Vera Gel
  • 20 ml Glycerine
Cool Down:
  • 5 ml Vitamin E Oil
  • 4 drops Myrrh Essential Oil
  • 6 drops Juniper Essential Oil
  • 4 drops Patchouli Essential Oil
  • 6 drops Rosewood Essential Oil
Method:

Measure the Oil Phase ingredients into the container you will use for mixing your handcreme.

Measure the Water Phase ingredients into the second container.

Put both containers into the pan, then put enough water in the pan to come up to the level of the ingredients. Put a stirrer in the oil phase container so it heats up with the ingredients. (If you put a cold stirrer into the warm oils they will solidify on the stirrer.) Put the pan over a low heat so the water slowly comes up to the boil, then turn the heat down so the water just simmers.

Put your stick blender in the container you are going to use to pre-heat it, and put the kettle on. Prepare your containers ready to pour in your creme when you have made it.

Stir the oil phase occasionally until the wax and butter have melted. Then turn of the heat and take out the containers. Now put hot water into the container with your blender. Watch the oil phase as it starts to cool down. When it starts to go misty as it begins to solidify, put in your blender and run it as you add the water phase ingredients. Only run the blender until everything is mixed.

There will be a little oil gathering on the surface of the creme, and the container will be quite warm to touch. Briefly run the blender once or twice as the mixture cools.

When the creme starts to solidify, add the cooldown phase ingredients and briefly run the blender again until everything is mixed in. Disconnect the blender and scrape off as much as you can from the blender back into the container. Pour your creme into the prepared pots.

Put the lids on the pots and then put them in a fridge until you are ready to use them. You might like to label the pots, including the date you made the contents.

Clean up with hot water and washing-up liquid.