Sloe Gin

It’s nearing the end of July, and already there are ripening sloes in the hedgerows.  It’s time to decant the sloe gin I made last year so I can re-use the bottles.  Last year’s makings have a deep ruby colour.

 

Sloes are the fruit of the blackthorn bush prunus spinosa.  They are small, a blue shade of purple when ripe, often with a white bloom on the surface.  They are very bitter to taste, and that’s why the only common use for them is making sloe gin.

Ripe sloes on a blackthorn bush
Awe Inspiring Images/Shutterstock

Making sloe gin is not difficult.  While many recipes suggest you can make it in the Autumn and it will be ready to drink by the end of December, I prefer to leave mine to macerate for just under a year.  This year I will drink the sloe gin I made last year, and perhaps some will find its way as presents to a favoured few.  Last year I struggled to find the sloes to make a modest quantity of sloe gin, so any recipients this year will be very favoured!

My recipe is very easy to remember:

A pound of sugar, to
A pound of sloes, to
A (20 ounce UK) pint of gin.

If you are making your sloe gin in 750 ml or 700 ml bottles, that scales down for each bottle to:

200 g of sugar, to
200 g of sloes, to
250 ml of gin.

Tradition has it that the sloes are best picked after the first frost.  It is also traditional to prepare the sloes by pricking each one six times with a needle.  I feel no need to follow these traditions.  There are easier ways of doing things.

I pick the sloes when the flesh gives slightly when they are squeezed.  You could taste one, but they are seriously bitter, even when fully ripe.

I offer three ways to prepare the fruit so the skins are broken and the sugar and gin can penetrate.:

One.  Take each individual sloe and prick it with a needle (for the traditionalists).

Two.  Lay the sloes out on a tray and hit them with a clean wire brush (the sort used for cleaning barbecque grills).  Theraputic.

Three.   Freeze the sloes, thereby simulating the first frost and splitting their skin so the sugar and gin can penetrate.

After that, the preparation is very easy.  Put measured quantities of sloes, sugar and gin into glass bottles, leaving a small airspace so you can shake the bottles and agitate the contents.

Sloes plus sugar
Sloes plus sugar plus gin
Sloes plus sugar plus gin after first shaking.

Store the bottles away from direct sunlight, but not so well hidden that you forget to shake them about once a week for the first couple of months.

The next day

Give them the occasional shake until you are ready to harvest sloes the following year.  Then strain the liquid from the fruit:

I know of people who remove the stones from the fruit and use it as you might use dried fruit in cereal or a pudding.  I compost the remains because I find the task of removing the stones rather fussy, and I’m not sufficiently enthusiastic about eating the soused fruit remains.

After letting any sediment settle out, decant the liquid into bottles:

The blackthorn bushes are laden with much more fruit than last year, and the fruit is almost ripe.  It seems the hedgerows contain more fruit of many types this year.  I’m hoping for a bumper crop, for me and for the wildlife that depends upon the hedgerows.

Lughnasadh

The fields of grain are ripening to gold. The weather forecasts have alternate days of rain and sunshine.  I haven’t seen a combine harvester in the fields this year, but I expect them any day now.  

Lughnasadh, or Lammas is the first of the annual harvest festivals.  It falls on 01 August in the Northern Hemisphere.  It’s the celebration of the grain harvest. 

From Yule to Litha, the winter solstice to the summer solstice, I’ve produced cosmetic creams with fragrances.  The creams all have the same base (#14) and are combined with blends of essential oils.  For Lughnasadh I’ve abandoned the base + fragrance formula.  Taking the shorter of the alternate names (to fit on a label), Lammas Lotion relies on its ingredients for its fragrance.  The fragrance comes from oats and wheatgerm oil, with just a hint of vanilla to add sweetness.

Lammas Lotion is lighter than the cold creams (#14, #21, #22).  More than half the total ingredients are water based, so it cannot rely on beeswax alone as the emulsifier.

Another consequence of the higher water content is that this cream is more prone to fungal and bacterial contamination than a cold cream.  There are no essential oils, which are natural preservatives.  Instead, the Lammas Lotion recipe is dosed with a natural preservative (Naticide).  It has a slight vanilla and almond scent, so works well with the smells of grain and vanilla.  Naticide is described as “made from essential oil compounds”.  I would read that as being a chemically modified natural product. 

 

When I use very small quantities of ingredients, say 1-5 ml, I use a syringe to measure them out.  The syringes have blunt needles.  They are sold for refilling inkjet printer cartridges.

How We Smell

“I say, I say, I say!  My dog’s got no nose!”
“How does he smell?”
“Terrible!”

Music Hall joke from the 1930s

Alina Odryna/Shutterstock
Humans versus Dogs

If you have read anything about the human sense of smell, it has probably been compared unfavourably with that of a dog.  When you get past the hyperbole (10,000 times better, 100,000 times better) you may find more consistently quoted comparisons.  A dog, apparently, has 30 million olfactory receptors where humans have only 6 million.  The part of a dog’s brain that processes odours is 40 times larger than that of a human, apparently.

Recent studies have challenged this received wisdom.  The idea that a dog’s sense of smell is so superior was first published in 1879, and since then most comparisons have been subject to confirmation bias.  CBC recently reported a study by John McGann, of Rutgers University-New Brunswick, which concluded that humans could track scents well.  It concluded that: “It can be said that we are as good as, but not the same as, our canine companions”.

McGann’s study engaged 32 human volunteers to track a scent whilst blindfolded and wearing earmuffs, thick gloves and padded kneepads to limit input from other senses.  The volunteers tracked the scent across the ground while on all fours.  Two thirds of them “did pretty well”.

Why we smell

Most animals rely on a sense of smell to:

      • Detect danger
      • Find water
      • Find food
      • Find a mate
      • Determine if a potential mate or rival is in season.

Humans are still equipped with a sense of smell capable of all these things.  It’s just that at some point in our evolution we started walking upright.  Our noses were no longer close to the ground to find water or food, and they weren’t on the same level as our genitals to guide us to a suitable mate.   We came to rely  on sight as our primary sense and disregarded smell.  Now, if somebody is physically incapable of detecting and identifying smells, we don’t even consider it a disability.

Our sense of smell begins to develop in the womb.  Immediately after birth it is our most developed sense, guiding us to food.  As adults, our sense of smell is usually more reliable than a “sell by date” as a means of determining whether food is fit for consumption.

As we develop, our sense of smell can still warn of danger (for example by smelling gas, or smelling fire). The expression “something smells” is used in connection with situations that don’t feel right, for example when we suspect a scam.

Most women have a better sense of smell than most men.  The sensitivity of a woman’s sense of smell varies during her menstrual cycle.  A few people, male and female, have a much more acute sense than the majority.  Some have little to no sense of smell at all.  Although women generally have a superior sense of smell, many perfumiers, “the noses”, are men.

How we smell

Our senses of smell and taste are closely linked, and the brain processes them in similar ways.  Our other senses pass through a section of the brain called the thalamus.  The thalamus operates as a filter, reducing the level of “noise” that would otherwise disrupt our conscious thoughts.  Our sense of smell bypasses the thalamus.  If we detect a new smell, we know about it at once.  More than that, a new smell is instantly linked to our memories.  Anything we already know about it is immediately recalled. Smell is our most visceral sense, able to affect our emotions directly.

There is a strong link between smells and memory.    Although we are not aware of the background smells in our home, the distinctive collection of smells is imprinted on our memory.  If we leave home for a while, we become used to different smells as a background.  On our return we are briefly aware of the characteristic smell of our home.  If you visited a grandmother’s home as a child, you probably remember its distinctive smells.

Loss of sense of smell can be an early indicator of the onset of Alzheimer’s disease.

Smelling Good

Smell has a significant role in our selection of a mate, and how we engage them. Both our natural body odours and perfume play parts in this process. In the seventeenth century a woman might peel an apple and hold it under her armpit before sending it to a lover or prospective lover.  In modern western society, body odours are masked with deodorants which contain synthetic scents. Although these synthetics can mask natural body odours to our conscious mind, the odours are still present. We perceive them unconsciously and they affect our emotional responses.

Peeled Apple
Image TV/Shutterstock
Overload

We filter out smells that we have been experiencing for a while. We are not aware of background smells, only new ones as they appear. New smells may indicate danger, so grab our attention until we have identified them.  We are not interested in persistent background smells. That’s how we perceive stinky people but stinky people can live with themselves.

The ability to filter out persistent smells can be unhelpful for people who use their sense of smell constantly.  Perfumiers, sommeliers and people who taste tea or coffee to assess its quality need to keep their sense of smell engaged. One method of refreshing a sense of smell is to inhale through woollen fabric, the sheepier smelling the better.

It’s time to smell the coffee…

E is for: Emulsifier

Some cosmetics comprise just oils, butters and waxes.  The vast majority comprise oils (including butters and waxes) mixed with water or water-based ingredients.  The oils soften and nourish skin while the water-based ingredients provide hydration.  It’s a proven combination, but presents some challenges.  One challenge is that he combination of oil and water provides the perfect environment for bacterial and fungal growth.  I’ll address that in a later post about preservatives.  In this post I’m going to address how we get the oils to stay mixed with the water-based ingredients.

Mixing Oil and Water

We all know that “oil and water don’t mix”.

In truth, Oil and water DO mix.  The challenge is to keep them mixed, and that’s where emulsifiers come in.

An emulsion consists of tiny droplets of one liquid dispersed in another liquid.  A familiar example would be an oil and vinegar salad dressing.  The oil floats on the vinegar until you give it a really good shake.  Then the two layers mix into one cloudy layer.  In this case tiny droplets of oil are dispersed throughout the vinegar.  After a while the layers separate again.

Let’s walk through the process of creating an emulsion, looking at what happens to the molecules in each liquid.

Making an emulsion

We start with two layers that I’m going to call “oil” and “water”.  (They could just as easily be oil and vinegar, or any two liquids that don’t easily mix.)

The oil molecules are all slightly attracted to each other, and stick together.  Similarly the water molecules are attracted to each other, and they stick together too. There is no attraction between any oil molecule and a water molecule. The oil is lighter than the water, so it floats on top.  

Now we shake the two layers up together.  In this case tiny droplets of oil disperse throughout the water.  As before, the oil sticks to itself, the water sticks to itself, and they don’t stick to each other.

If you take a look at the two “droplets” of oil on the right, you’ll see that they are close enough for the attraction between them to take effect.  The attraction will pull them closer together until they coalesce into one larger droplet.  As the molecules jostle around in the mixture, more and more droplets will come into contact and coalesce until we end up with the two original layers.

Keeping it together

Emulsifiers stabilise the tiny droplets.  An emulsifier that works in an oil-in-water emulsion has molecules that look like water to a water molecule, and look like oil to an oil molecule.  One end of the emulsifier molecule is a bit like water, and the other end is a bit like oil.  The emulsifier coats the droplets in a very thin layer.  In this case it makes the oil droplets look like water droplets, both to other oil droplets and to the surrounding water.  The oil droplets can’t get close enough to each other for them to be attracted, so they don’t coalesce:

There are lots of emulsifiers that are available to cosmetic manufacturers.

A selection of emulsifiers

The use of beeswax as an emulsifier was first recorded at the end of the first century.  Beeswax works effectively in recipes that contain up to about 50% water-based ingredients.  Such preparations are known as Cold Creams.  Examples are my Hand Creme #14, Heavy Duty Hand Creme #21 and Rescue Hand Cream #22.  Each recipe includes about 3% beeswax.

Modern emulsifiers can stabilize emulsions which contain 75% or more water.  This is good news if we are trying to create a lotion specifically for hydration.  (It’s also really good news for cosmetic manufacturers who can reduce the proportion of costly ingredients in their products to less than 25% of the total.)

There are many emulsifiers available.  Each has its own characteristics, its uses and limitations, and cost.  Some are sensitive to the pH (acidity) of the formulation in which they are used.  Others are made using palm oil.  Some may contain traces of solvents or reagents used in their manufacture.  I prefer to use emulsifiers that are made in a chemical process that takes olive oil as a feedstock.  Olivem 1000 is one example.

Olivem 1000 by Naissance

The emulsifier that I use most is also derived from olive oil.  It is a mixture comprising Cetearyl Olivate and Sorbitan Olivate.  The recommended amount to use in a recipe is 1.5 – 4%.  I use about 3% in most lotions, and 4% with 1% beeswax in Pumpable Body Lotion #46.  It melts at 65-75C, which is somewhat higher than the melting point of beeswax at just under 60C.

Olive Derived Emulsifying Wax by BioOrigins

Here is a small selection of emulsifiers that you might find listed in the ingredients of cosmetics and toiletries.  A quick scan of half a dozen bottles in this household found these:

    • Sodium Lauryl Sulphate
    • PEG-100 Stearate
    • Cetearyl Alcohol
    • Stearic Acid
    • Glyceryl Stearate
    • Glyceryl Oleate